Since she was 18, when she astounded the Celtic music
world by winning the Senior All-Ireland Championship,
Liz and her fiddle have been amazing audiences around
the globe. Her recordings and appearances on concert
stages, television and radio, have established Liz as
one of traditional music's most sought after
performers. "lost in the loop," released in
2000, won Liz new fans around the world, as it garnered
an Indie Award and Liz being named Traditional
Performer of the Year for 2000.
Not that that's the first time a solo record by Liz
has been praised. Liz's first solo, in 1988,
"Liz Carroll," was chosen as a select record
of American folk music by the Library of Congress, no
less. That same recording was called "a milestone
achievement in the career of a fiddler reaching beyond
herself," by noted critic and radio host Earl
Hitchner.
It should be noted that Liz's recordings are in the
majority her own compositions, and they have given her
a stature equal to that of her playing. When you listen
to a Liz CD, you're hearing the tunes of a composer
celebrated for invigorating the traditional styles of
Irish music. Her compositions have entered into the
repertoire of Irish and Celtic
performers throughout the world. If you walk into an Irish pub and a
group of Irish musicians are in the corner, buy them a pint and ask
for a set of Liz tunes. They'll probably buy you a pint in
thanks!
But it is Liz in concert that has entranced audiences throughout the
States, and also in tours of Ireland, Europe, and Africa. Neil Tesser
of Chicago's Reader marvels that "her quicksilver lines can
captivate violin admirers way beyond the bounds of Hibernia."
P.J. Curtis of the Irish American says that Liz "conjures up a
dizzying mixture of the sweetest tones, the fastest runs, and the most
dazzling display of musicianship imaginable." One of Liz's
proudest concert moments was at the 1st American Congress of the
Violin, hosted by Yehudi Menuhin.
In 1994, the National Endowment for the Arts awarded Liz a National Heritage Fellowship for her great influence on Irish music in America, as a performer and a composer. First Lady Hillary Rodham Clinton presented the award which bestows national recognition on artists of international stature.
Tara is from near Killinchy in Co. Down, and comes from
a musical family. She is part of the strong flute
tradition from the North of Ireland. Her father,
Leslie Bingham, is a well-known flute player, and her
brother Terry plays concertina. She has taught for many
years at the Willie Clancy Summer School and the
Frankie Kennedy Winter School. Tara has performed
at many festivals and workshops across Europe and in
Japan. Her music can be heard on 'Wooden
Flute Obsession Vol.2' (Kevin Krell) and 'An
Gaoth Aduaidh' (Frankie Kennedy Winter School).
Dermy is a native of Belfast and his fiddle music has a
strong northern bias, with Fermanagh and Donegal being
particularly
important sources of tunes. Like Tara, he plays and
teaches at the Willie Clancy Summer School, and has played
concerts and taught workshops across Europe and the
USA. In Ireland, he toured twice as part of the Arts
Council of Ireland 'best of Irish' music network
programmes.
Tara and Dermy have appeared on many occasions on national radio and television, and are regular performers at festivals, concerts and sessions across Ireland.
Back in Europe, Tommy's talent and experience took him
to perform in almost every mainland country.
Performances have varied from solo
uilleann pipes performances to playing with 5 piece folk bands and
have been as diverse as being an Uilleann Pipes tutor in New Zealand
to performing with "Riverdance" in New York, to performing
with the Chicago Virtuosi Symphony Orchestra. Tommy is also an
experienced uilleann pipes teacher. He has tutored students all over
Ireland, England, New Zealand and now the US. Tommy was teacher
of the advanced uilleann pipes class in Na Piobairi Uilleann, Dublin
up untill he moved to St Louis in 2003.
His first solo CD, "Uilleann Piper", was released in 2000 and Tommy
can be also heard on 12 other albums, as a guest musician.
Tommy's second album, "Shady Woods" , was released in Dec 2005. That
month he also toured as a guest with traditional band Teada as they
celebrated their "Irish Christmas in America" tour. Other guests were
Grainne Hambly on harp and singer, Cathie Ryan. Tommy, Grainne
and Muireann Nic Amhlaoibh will be traveling again
with Oisin, Sean and Tristan from Teada in Dec '07.
Tommy now lives in St. Louis Missouri where, while not traveling, he now works for St. Louis Irish Arts teaching Irish traditional music on fiddle, flute, and Uilleann Pipes. He also makes tin whistles www.thorntonwhistles.info
Dáithí Sproule, a native of Derry in the
North of Ireland, is a singer and guitarist and one of the
premier accompanists in the Irish tradition. When he
played with Skara Brae in the late 60's and early 70's, he
was the first person to use and develop the DADGAD tuning
in Irish music, a style now widely used in Irish and
Celtic music in general. Skara Brae recorded a
ground-breaking album in 1971 involving intricate
arrangements for guitars and keyboards of traditional
songs in Irish -- the other members of the group were
Maighréad Ní Dhomhnaill and her sister and
brother, Mícheál and Tríona, later of
the Bothy Band and Nightnoise. He had
met the ÓDomhnaills first in Rannafast in Donegal where he
learnt the Irish language and many old Gaelic songs while spending
every summer there of his teens.
After the breakup of Skara Brae, Dáithí, who by then
lived in Dublin while pursuing academic studies and a career in book
editing, became heavily involved with the traditional instrumental
scene in Dublin, gaining a great grounding in a broad repertoire of
Irish music and styles and playing sessions many nights a week with
the legendary fiddler, John Kelly Senior, and his sons, John and
James, at the Four Seasons in Capel Street. In that period he also
played frequent gigs with other musicians as well as making solo
appearances. At the end of the 70's James Kelly and
Dáithí and their friend, Paddy ÓBrien, came to
the US to record an album with Shanachie Records and to tour for a few
months. This led over the course of the next year or two to all three
settling in the States. Minnesota was Dáithí's home for
the next 20 years. The Twin Cities provided a good home for
Dáithí (and Paddy too) since it had a very active Irish
music and dance scene. In that period, Dáithí taught Old
Irish, Celtic mythology and Irish music at various times at the
University of Minnesota, the College of St. Thomas in St. Paul and
University College Dublin. He also, of course, continued his music,
playing locally in Minnesota with the Northern Star Ceili Band,
touring and recording with Trian (Liz Carroll and Billy McComiskey),
Peter Ostroushko (Ukrainian- American fiddle and mandolin virtuoso and
long-time star of the "Prairie Home Companion" radio show),
and with world-renowned Irish band, Altan.
With Altan, Dáithí has toured the US and Canada numerous
times playing concert halls from coast to coast (last year they played
the Hollywood Bowl), all the major folk festivals, such as Edmonton,
Winnipeg, Philadelphia, Telluride and Milwaukee, and as far afield as
Hong Kong, Australia, New Zealand as well as many tours throughout
Europe. Dáithí has appeared with Altan on a recent
Chieftains album, on several Dolly Parton recordings and performed on
stage with Ricky Skaggs and Bonnie Raitt. Among his many other
recordings are albums with Tommy Peoples and Seamus and Manus McGuire,
and a solo recording, "A Heart made of Glass". As well as
his actual playing, Dáithí is a composer of songs and
instrumentals, some of which have been recorded by Skara Brae, Altan,
Paddy O'Brien, Laoise Kelly, Trian and Liz Carroll. He has also
published a volume of short stories in Irish and several academic
articles on early Irish poetry and legend.
Dáithí now lives in West Saint Paul, Minnesota and tours regularly with both Altan and fiddler Randal Bays.